Worldbuilding Demonstration

by Eva, in category Plotting, Worldbuilding

The Lady Writers League‘s long-awaited worldbuilding course, How to Lose Yourself in a World of Your Own Invention, is finally open!

Just in time to aid you in your Preptober planning!
CLICK HERE TO ENROL

How to Worldbuild on One Page

This video workshop walks you through the basic method I’ve developed to worldbuild on one page.

I love one-page solutions!

The One Page Novel is my method for plotting a novel on one page.

(If you haven’t done so already, I strongly recommend watching the video on how to plot a novel before you delve into this workshop.)

The Heroine Frame is my method for creating a character (actually an entire cast of characters) on one page.

In today’s demonstration, I introduce my method for developing story worlds: enter the World Building.

All 3 methods mesh together to form a strong storytelling framework.

I’m far from being a born storyteller, but over the years, these simple solutions have allowed me to finish and publish for the first time.

I hope that they will work the same magic for you! :)

Worldbuilding Workshop

Watch on Youtube

CLICK HERE TO ENROL

Resources

  1. The printable spellbook is available to all students enrolled in How to Lose Yourself in a World of Your Own Invention.
  2. The genre cheatsheets are exclusive to the One Page Novel course.
  3. The generic plotting cheatsheet is available in the One Page Novel Workbook in the Coterie.
  4. To learn more about the 8 stages of the One Page Novel method, please sign up for a free novel outline and training.

Worldbuilding Course

How to Lose Yourself in a World of Your Own Invention is available for pre-order for a LIMITED TIME.

Pre-order is always the lowest price at which a course is available. And with the main audio lessons already available, you don’t even have to wait!

CLICK HERE TO ENROL

I look forward to hearing all about the magical worlds that open up for you…

Love,
Eva.

Worldbuilding - Free Workshop

Alethiometer Studies 101

by Eva, in category Books, Printables

Alethiometer Cards

To celebrate the launch of The Secret Commonwealth, I thought I would share this deck of alethiometer cards I created. As alethiometers are even rarer in our world than in Lyra’s, I hope these cards can help you hone your skills in their stead.

Click here to download the cards (ZIP)

Printing Your Cards

I recommend taking the PDF file down to your local copy shop and asking them to print the pages double-sided on thick card. They may even be able to cut them apart roughly for you, but you’ll probably need to finish them off at home.

Once you’ve cut your cards to size, you might like to use a dye-based inkpad to colour the edges of your cards. Try the colour out on a scrap of paper first. Gold acrylic paint would also look lovely, but make sure you clamp the cards tightly together, and cover the front and back of the deck so you don’t get paint on the face of the cards.

Alethiometer Cards - Edges

To assemble the box, I recommend using a glue stick. Double-sided tape is very strong, and convenient, but if your folds are slightly off, and the tape remains exposed, it will stick to everything. Forever. Wet glue is also not ideal, as it might cause the card to buckle.

The Alethiometer

The alethiometer was invented in Lyra Silvertongue’s world by a scholar named Pavel Khunrath. Our world’s Heinrich Khunrath was an alchemist; unlike his parallel-world counterpart, he neither invented a truth-telling instrument, nor was he burned at the stake, but he did publish a text titled, The Amphitheatre of Eternal Wisdom, of which Frances Yates writes:

“Except in the title, the word ‘Amphitheatre’ does not occur in the work, and one can only suppose that Khunrath may have had in mind in this title some thought of an occult memory system through which he was visually presenting his ideas.”

However, our world’s Giordano Bruno more closely matches Pavel Khunrath’s career. Bruno was a 16th-century occultist who was eventually tortured and burned at the stake by the Inquisition, and although he doesn’t seem to have developed a memory theatre, as other mnemonists had done, he did create an interesting memory wheel that worked by combination and in this sense bears some resemblance to the alethiometer.

Read More

Writing Quotes to Make You Feel Like a Writer

by Eva, in category The Writer's Life

Here’s a list of writing quotes that I’ve found inspiring, motivating and thought-provoking over the years. These little snippets of wisdom can help remind you of the long and beautiful tradition of which you’re now a part!

Writing Quotes

‘Songbirds do not study in a conservatory.’ – Saul Bellow

‘The only time a human being is free is when he or she makes a work of art.’ – Friedrich von Schiller

‘There’s nothing more wearing than having to go around pretending to be the author of one’s own books – except perhaps pretending not to be.’ – Philip Roth

‘Great literature is simply language charged with meaning to the utmost possible degree.’ – Ezra Pound

‘My last page is always latent in my first; but the intervening windings of the way become clear only as I write.’ – Edith Wharton

‘When you publish a book it’s the world’s book. The world edits it.’ – Philip Roth

‘Books are a world in themselves, it is true; but they are not the only world. The world is a volume larger than all the libraries in it.’ – Thomas Hardy

‘Reading means approaching something that is just coming into being.’ – Italo Calvino

‘Digressions, incontestably, are the sunshine — they are the life, the soul of reading.’ – Laurence Sterne

‘Writers should be read, but neither seen nor heard.’ – Daphne du Maurier

‘Reading makes immigrants of us all — it takes us away from home, but more important, it finds homes for us everywhere.’ – Hazel Rochman

‘An autobiography is an obituary in serial form with the last instalment missing.’ – Quentin Crisp

‘Artists are the antennae of the race.’ – Ezra Pound Read More

Show, Don’t Tell with Famous Authors

by Eva, in category Technique

“Show, don’t tell,” was what I was taught at school.

You, too?

Showing is usually defined as relating the story through descriptions of the character’s feelings, sensations, perceptions, and thoughts.
Telling, on the other hand, is a straight-forward (and usually far more succinct) expression of actions, characteristics, and backstory.

 

Show Don't Tell Techniques from Famous Authors - Ernest Hemingway, Jane Austen & Sir Philip Pullman

Here’s a simple example of “show, don’t tell”:

Show: The skin resists the blunt knife, dimpling slightly before bursting open in a splatter of red liquid. All over my hands. All over the kitchen counter. What’s inside is worse: a viscous mess of seeds and soggy flesh that oozes across my plate, and turns to a fragrant mush in my mouth. It isn’t the taste, but the texture that makes me long to spit it out.
Tell: I hate raw tomatoes.

In my example above, the difference between the two approaches is marked. However, in practice, it isn’t always so easy to distinguish between showing and telling.

In this article, I’d like to explore the techniques used by 3 famous authors to blend showing and telling in order to unfold the plot, the characters, and the world. Read More

Welcome to Alemmia!

by Eva, in category Books

Welcome to Alemmia, a Mediterranean island full of roses, and fulfilled desires!

Law of Attraction Book - Alemmia

READ THE FIRST 3 CHAPTERS

 

Roses, book & quill

Alemmia is the story of the first summer that Lucy and her family spend on an idyllic  island. It’s a somewhat old-fashioned tale of childhood adventure, and an easy breezy, low-contrast, low-drama beach read to soothe you into more magical manifestations!

I began writing Alemmia last summer, while I was basking in the simple beauty of life on the Aegean. The island’s name is older. I first came up with it to serve as an example for my worldbuilding course, How to Lose Yourself in a World of Your Own Invention. It’s a combination of the Turkish/Arabic word, “âlem/alem,” meaning “world” or “symbol,” and the English/Greek word, “lemma,” which has a whole heap of significations.

At first, the story grew out of my curiosity to explore a world where everyone knew and practiced the principles of the law of attraction. By law of attraction I simply mean the consciousness that we create our own reality. For a while I thought that I was writing a utopia. I suppose it might seem like that to some readers. But the deeper I imagined the world, and the more familiar I grew with the characters, the more I saw the fictional world in the real. I was the petulant child who wanted everything just so, and my day-to-day settings and dénouements were not one jot less magical than those I was writing about.

I’m certain you’ll find the same!

Anticipation is so full of excitement that we imagine manifestation will be too. But I find that a contented sort of lack of surprise usually accompanies the accomplishment of a desire that we had no doubt would bear fruit.

Of course I received the impulse to write this novel.

Of course I loved writing it.

Of course I love the finished story.

Of course I will enjoy exploring it for years to come.

How could it be otherwise?

Ebook Sale!

To celebrate the publication of Alemmia, I’m offering a bundle of all major ebook formats (PDF, EPUB & MOBI) for $1.11!

CLICK HERE TO PURCHASE ($1.11)

 

Please enter your email address below if you’d like to be notified when further editions & resources are available.

Roses, book & quill

* The Lady Writers League library, like most houses on Alemmia, has a copy of the book. If you’re a member, you may want to check there first!

* Don’t forget that you can also join Lady Writer & Sir George on their literary adventures in Alemmia!

The Literary Adventures of Lady Writer & Sir George